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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Writer, Peter Goldsworthy
The Writer, Peter Goldsworthy
The Writer, Peter Goldsworthy

The Writer, Peter Goldsworthy, 2018

Deidre But-Husaim
Portrait, oil on canvas

Commissioned with funds provided by Jillian Broadbent AC and Dr Helen Nugent AO 2018

The Last Picture Show (Lewis Morley and Henry Talbot)

Reveries

Photography and mortality
Previous exhibition, 2007

Featuring works by Australian and New Zealand photographers from the late 1970s up to the present day Reveries focuses on images made in the presence of or consciousness of death.

Adut, The Studio Series, 2015 Atong Atem

Icons and Identities

General content

It’s often thought that foremost among portraiture’s many functions is the documentation of individuals who are celebrated and familiar, or who best exemplify the temper and identity of a certain place at a certain time.

Portrait 63

Winter 2019
Magazine

Rod McNicol's method and motivation, 19th century Indigenous peoples, Barrie Cassidy on Bob Hawke, five generations of the Kang family from Korea and more.

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Annual Appeal

Listed by year
Honour board
Study for The Writer, Peter Goldsworthy
Study for The Writer, Peter Goldsworthy
Study for The Writer, Peter Goldsworthy

Study for The Writer, Peter Goldsworthy, 2018

Deidre But-Husaim
Portrait, oil on canvas

Collection: National Portrait Gallery
Commissioned with funds provided by Jillian Broadbent AC and Dr Helen Nugent AO 2018

Portrait of Mrs Tom Roberts

2013-14 Acquisition Fund

Annual Appeal

This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.

Sir Henry Unton

Icons and imagery

Magazine article by Alison Weir, 2011

Alison Weir explores the National Portrait Gallery, London and the BP Portrait Award to find what makes a good painted portrait - past and present.

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Donors

$10,000 - $49,999
Honour board

All that fall

25 March 2015
Archived media releases 2015

Focusing on the wide-ranging themes of loss and absence, All that fall: Sacrifice, life and loss in the First World War creates a moving portrait of mourning and sacrifice as experienced on the Australian home front during the First World War.

Sammy Dodd

2022 Annual Appeal

Annual Appeal

In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency